The main theme of my art works is the transformation of the relationship to the space. In my works I confront two different, perhaps even contradictory approaches to the perception of space, both of which are my inherent part. In these two opposing perceptions of space, I seek their mutual dialogue. The first space is the field of natural sciences, in the works it is mainly a discourse of mathematics and geometric abstraction. I was fascinated by the ideas of the absolute and the infinite. Often these are ideas of space in which I am thrown into empty space. Today I already know that the empty space I have faced here is a confrontation with thinking very related to the idea of ​​death. According to French philosopher Françoise Dastur (Death: An Essay on Finitude), death itself is a non-phenomenon par excellence, death as it is undiscovered and undiscoverable to us. Death cannot be thought of, but it is possible to reduce the phenomenality of the world in the abstract images of space. In my art work, such a space appears in conceptual thinking, focusing on a point, line, surface and so on. The second space is a world full of phenomenas and beings in the nature. I create my art works directly in the landscape. For example, I travel around a mountain - a fixed point, which I photograph every few meters as I walking around it, so I capture not only the mountain itself, but also my path. During these events, I leave the works themselves in the country where the environment also forms the art works. I am interested in the interactions of my art works and environment, there is an inner dialogue between each other. The aim of my art works is to enlive abstract ideas of the point, the line, the surface.